Stories about sound technology and a little bit more
It's been a long time since I've seen a gig, and I've had a pretty long day. So I was working for Livesalet, and in the morning we started at the warehouse at 8: 30 a.m., where we went straight to the market in Oulu. At 10 o'clock in the square was the start of national Police Day and in Oulu the police
Let's start writing a few days before the show. Saturday, Petrelli. Sami Cloud bandThat plays rock and roll music from side to side. It's just that the audience's comfort is guaranteed. I started in advance to do the scrambling and setup needed for the mixer, so that the gig, and especially the sound check, can be done.
I got into Thomann's partner program. This is all right, when it comes to a store that's already been put by a few cats. The banner below gives you access to, for example, the kind of products we use in live situations, and to order either similar or something else 🙂
I stopped by a training cabin over there, doing a few pieces of demo recording of drums. There is nothing strange about this, but what was new in its own case was that recently acquired Arturia AudioFuse 8Pre. In the past, there were a couple of Behringer ADA8200 Ultragain privileges and I decided to take
Mastering is not my strongest skill, although it has occasionally been done. On the other hand, I would rely more on iron machines in masteries than just plugers, and I happen to have quite a bit of suitable iron, so plugers do. Sanna and Sami Cloud asked me to do their mastery.
On Saturday morning, a plane was attacked, and small adjustments were made to the mixing of a chunk. In this case, the ground saunas had already been regulated earlier, and I made changes, at least to the synagogues and bass tracks. I think I did a little something here and there, too. 🙂 Timelchild, that's good.
That's two gigs a weekend, isn't it? As a rule, both jobs were very comfortable, but again, they were not solved without problems. Thursday 9.6 / preparations for the Rings of the Kirmas Truses to upgrade the Soundcraft tables to the same company at the end. I wasn't interested in fighting with the problems of the December job at Tullisal.
This time, there's not much to tell, but let's put on a little video clip, though. I was spending studio day at Mastervox at some background singing sessions, and right after that, Afterworld came to practice for the upcoming Jäli City Rock concert. That's where that happened, when I was a monitor mixer for Afterworld, so I decided
I have found that smaller gigs are preferably done with "bäd-mixing" and more traditional console & cable draw to the bow has been avoided. Of course, for those, there is also a place for them, especially when the coverage starts to grow, so, of course, very quickly, you start wanting physical buttons under your fingers. A little challenge.
Let's write a little story about last December's Tullisal gig, where Battle Bast, Arion and Afterworld performed. Janne Ervelius and I used to do the techniques of Afterworld, so that Janne FOH and I did the stage. With this division of labour, we've been gone for years with Afterworld. Including equipment
