Stories about sound technology and a little bit more
This time, there's not much to tell, but let's put on a little video clip, though. I was spending studio day at Mastervox at some background singing sessions, and right after that, Afterworld came to practice for the upcoming Jäli City Rock concert. That's where that happened, when I was a monitor mixer for Afterworld, so I decided
I have found that smaller gigs are preferably done with "bäd-mixing" and more traditional console & cable draw to the bow has been avoided. Of course, for those, there is also a place for them, especially when the coverage starts to grow, so, of course, very quickly, you start wanting physical buttons under your fingers. A little challenge.
Let's write a little story about last December's Tullisal gig, where Battle Bast, Arion and Afterworld performed. Janne Ervelius and I used to do the techniques of Afterworld, so that Janne FOH and I did the stage. With this division of labour, we've been gone for years with Afterworld. Including equipment
At the end of February, the Mastervox studio started recording drums for two bands with the same drummer. Use these bands now, like, "A" and "S." As far as drum A band is concerned, it was agreed to record drums, and songs at some point later, but the S band was supposed to catch.
A small customer event was held at the workplace, with some exhibitors, and, of course, catering for guests. It also needed sound, mainly for background music and running. I took a couple of Sector cabinets (which are Watti-Mat's handwriting), a slightly bigger terminal for the t-amp, a Soundcraft Ui12 small mixer, and a Shenku wireless mic. However, the exhibition area was its
A party band consisting of long-line musicians, as well as sound professionals, RT Band asked me to mix up their Petrelli gig, and I did, so that's all I had to do. Watti-Matti from Livesalet plays bass in the band, and it was agreed that he would bring in the equipment he needed. It was also decided that we should go
