Stories about sound technology and a little bit more
An old friend asked for a rock show on Saturday as a voice man, when usually their tech manager was prevented. That's all I had in store for that, and that was fine. This time, for your own stuff, the instruction was that take the head and everything else will be found to them. And true
It's been a long time since I've seen a gig, and I've had a pretty long day. So I was working for Livesalet, and in the morning we started at the warehouse at 8: 30 a.m., where we went straight to the market in Oulu. At 10 o'clock in the square was the start of national Police Day and in Oulu the police
Let's start writing a few days before the show. Saturday, Petrelli. Sami Cloud bandThat plays rock and roll music from side to side. It's just that the audience's comfort is guaranteed. I started in advance to do the scrambling and setup needed for the mixer, so that the gig, and especially the sound check, can be done.
I got into Thomann's partner program. This is all right, when it comes to a store that's already been put by a few cats. The banner below gives you access to, for example, the kind of products we use in live situations, and to order either similar or something else 🙂
That's two gigs a weekend, isn't it? As a rule, both jobs were very comfortable, but again, they were not solved without problems. Thursday 9.6 / preparations for the Rings of the Kirmas Truses to upgrade the Soundcraft tables to the same company at the end. I wasn't interested in fighting with the problems of the December job at Tullisal.
I have found that smaller gigs are preferably done with "bäd-mixing" and more traditional console & cable draw to the bow has been avoided. Of course, for those, there is also a place for them, especially when the coverage starts to grow, so, of course, very quickly, you start wanting physical buttons under your fingers. A little challenge.
Let's write a little story about last December's Tullisal gig, where Battle Bast, Arion and Afterworld performed. Janne Ervelius and I used to do the techniques of Afterworld, so that Janne FOH and I did the stage. With this division of labour, we've been gone for years with Afterworld. Including equipment
A small customer event was held at the workplace, with some exhibitors, and, of course, catering for guests. It also needed sound, mainly for background music and running. I took a couple of Sector cabinets (which are Watti-Mat's handwriting), a slightly bigger terminal for the t-amp, a Soundcraft Ui12 small mixer, and a Shenku wireless mic. However, the exhibition area was its
A party band consisting of long-line musicians, as well as sound professionals, RT Band asked me to mix up their Petrelli gig, and I did, so that's all I had to do. Watti-Matti from Livesalet plays bass in the band, and it was agreed that he would bring in the equipment he needed. It was also decided that we should go
