Stories about sound technology and a little bit more
That's two gigs a weekend, isn't it? As a rule, both jobs were very comfortable, but again, they were not solved without problems. Thursday 9.6 / preparations for the Rings of the Kirmas Truses to upgrade the Soundcraft tables to the same company at the end. I wasn't interested in fighting with the problems of the December job at Tullisal.
I have found that smaller gigs are preferably done with "bäd-mixing" and more traditional console & cable draw to the bow has been avoided. Of course, for those, there is also a place for them, especially when the coverage starts to grow, so, of course, very quickly, you start wanting physical buttons under your fingers. A little challenge.
Let's write a little story about last December's Tullisal gig, where Battle Bast, Arion and Afterworld performed. Janne Ervelius and I used to do the techniques of Afterworld, so that Janne FOH and I did the stage. With this division of labour, we've been gone for years with Afterworld. Including equipment
A small customer event was held at the workplace, with some exhibitors, and, of course, catering for guests. It also needed sound, mainly for background music and running. I took a couple of Sector cabinets (which are Watti-Mat's handwriting), a slightly bigger terminal for the t-amp, a Soundcraft Ui12 small mixer, and a Shenku wireless mic. However, the exhibition area was its
A party band consisting of long-line musicians, as well as sound professionals, RT Band asked me to mix up their Petrelli gig, and I did, so that's all I had to do. Watti-Matti from Livesalet plays bass in the band, and it was agreed that he would bring in the equipment he needed. It was also decided that we should go
