Yeah, well, it got a year to change, before I could get to this blog with any letters. 😀
Well, in December, there were no gigs but one Fourth of July bet with Public Shame. The place was Lissun Bar Alavieska. It was all right, and there's no miracle to tell. One of the pillars stumbled right in front of PA, which was not exactly optimistic, but there are quite a few of these in many small places.
I also went to the concert to see the audience, and this was, of course, the heavy Christmas that was banged up in Oulu Hall. These gigs also have familiar old men on stage, as some might guess from the tour of Poisonblack a few years ago.
The rest of the year, a lot of studio work was done. Undark's autumn drum recordings made one single, and the other one made progress from the drum edite.
I do not remember now whether it was mentioned in previous posts that a single single was also published with the heart light project name in fact on the November side. This project had a pretty nice set of players.
In December, I also finished editing the drums of a solo project. I promised that to an artist during December, and the last piece of the six-bit set went a little tight, not until the last day of the year. 🙂
But the promise kept. 😀
Mastervox has had a night of November and December, if there's another... There's a project going on, or even bigger than a few, which will continue in the early part of the year. The Atmos mixes of this project are beginning to be finished. There's more of this, then, at some point in the '26 year.
My equipment hasn't changed much in '25. In the spring, I got the Wing Rack, and this place has been looking for its shape all year, and it's starting to look pretty comfortable. Of course, there are 8 units in size, and there is a bit heavy without rolls, so it can be that somewhere the moor is pissed off to carry it and move the debris to a bigger and roller-lined sackcloth.
The frame configuration is now so that in front of the top wireless talkback, as well as one wireless listening (this was still missing from the picture). Wireless listening because I can send myself a phone tap, even though I'm hanging around with the head somewhere in the front. Next is the half-unit ventilation gap, and then Winkula himself. Under the wing the other side of the unit ventilation and then the XLR switching panels, which are already connected from the rear side to the wincula. The panels basically have all 24 inputts, as well as 8 outputs, but the latest three of the inputes are reserved for talkback and bluetooth, which are already directly connected to these functions. The last two of the outputs are reserved for L & R use and, if necessary, the previous two sub and center, if there are any such needs. Listening outputs usually come through a load box, because there's so little of them in that wing. Oh, I wish they'd put its 16 outs directly at the design stage, because there was room for them...
At the top of the frame you can find wireless listening and antenna connections. Next is the opening section, if it happens to be necessary to make some connections. In principle, it should not be necessary when everything is already connected to panels, but that is what you have often thought.
The second lowest is the distribution of power, which comes from Furman AC-240. At the bottom is the custom switching panel, where the power input on Power Twist (the feed goes directly to Furman). The panel also includes connections for three confirmed phone tap, a Wlan antenna (PoE feed), a LAN, and AES50 connections. There is also a Bluetooth receiver inside the frame, as well as the necessary network equipment with one WiFi bracket. In online devices, I have moved to Ubiquit Unifi product family only, which I have experienced very well. There's still some kind of housing fan under consideration. I've already boned for something, but if you happen to know something good and quiet, you can tip. Preferably swallowed by light, or alternatively swirled by Ub.
The light equipment has also experienced small growth and more mobile people have entered. The old little muvars will now continue to decorate the shelves in the warehouse and the new washers & beamit will jump in with the gig equipment. The front light also became more, both led bars in a short, and long version.
The lights need to be encoded into two sets, the smaller of which can be used on basic gigs and larger, when the single universal channels (512 channels) are no longer enough, making it a bigger two universal setup for chamsy. There are, for example, headlights, which may be bundled with the same DMX address, so you can save some channels.
The backstage of the Audion website (audion.fi), the toolbox reserved for bands, also developed strongly during the year. I was able to encode some pretty nice functionalities, and I don't think there's one place in any music company, at least.