Stories about sound technology and a little bit more
Now in the title, two reasonably familiar sets 🙂 With Shame, we've been doing jobs pretty carefully for a year now, and Petrelli has, of course, been familiar with them for several years. There is not much of a story about these, and let us now say that Petrelli's PA's "firm" pitch
19.8. We went to Kainuu for a private gig with Public Shame. It was a 50th birthday party, and, of course, the milieu was quite right. There was even a small link between the stalls in Lake Oulu. Poisonblack is preparing for the party tour and had booked a couple of days for the sleigh in Oulu. Here we go.
Last Saturday, two outdoor events came up. On this morning I began in Liminga with a collection of techniques for the Virkkula Westis elections, before the official noses of the event arrived. For the first time, these "picnik" elections were held, and the framework and arrangements were well managed. A performance worth buying, Matti! PA was imported from Livepalet.
On the weekend there was the World Cup of Bootball at the Hyrynstrame. One of the nights around here was in Camping Vonka, where the signed rosy with Public Shame. The show had two nights of familiar sets with a familiar band. This gig also tested a separate midi-panel for the control of the lights, which allowed the band to pedal different
The past week was two bets from Cloud Band, the first of which was rocked in Petrelli. On Friday at 4 p.m., we started in Petrelli with a pile of stuff that lasted about an hour and a half. I ran right into the warehouse, packed up the next set. There was a wedding gig on Saturday, so it also took PA to deliver
There's a little bit of a break going on, and you get to spend the Midsummer in peace. The gigs continue, of course, at the end of June-July, and also the studio business from the first Monday of July onwards. After the last post, we got a couple of bets in, so let's catch up on them. 3.6 Public Shame - Ensign
It's been another couple of weeks since the last post. In the meantime, we've had a couple of gigs to catch, and in the home studio, it's been hours, if there's one. Let's start with one of those "bitch" jobs I went to make a sound check. This job really didn't take much of a shot, and the guys did all right.
MRB was a new acquaintance, but a very nice one. Although the concert calendar is rather full for this year, a couple of jobs had already been agreed for them and the first one was peddled yesterday. The equipment was very model for the band, and that's all I needed.
And this is the kind of set that would really be coming in at the end of October and November. 🙂 Poisonblack technology is used as a tool Livesaletti and from there already one of the legends of the industry, Eero Vuolukka.. Eero handles the first six gigs of the tour, but is prevented from the rest of the five, because of the overlapping Suvi Superneck tour. These five gigs
That's another moment since the last post. In between, there are a few jobs that have been peddled, and a couple of bands with studio sessions. These studio workings will be more detailed when you can talk about things, but Mastervox's comfortable and classy studio has once again been located. The tour front was early March
